Quote:
Originally Posted by
mvmac 
To answer you question I going to share something Dave Wedzik posted on FB the other day. "With the ball on the ground it is hit before low point (so club is still moving "out") so the draw makes "sense". That said, I don't have a huge preference. Really depends on the player." So if you start seeing the ball draw you're probably doing something right. A lot of good players that fade it do it by just aiming a little left at address. Basically pre-set their path a little left.
My attempt to be on topic:
Question to Mike, Erik, and anyone else who wants to chime in: is this quote from Dave (that I remember seeing when he posted it in the 5SK group, thanks to Mike for posting it) the biggest and most important reason for wanting to hit a draw (along with the shot cone stuff potentially)?
My thought process went like this: taking out Dave's quote for the point of this paragraph, if your "stock" shot is, say, a 5-yard draw, then that means your face angle and swing path need to be just right to hit that 5-yard draw. But you can say that about any stock shot. To hit a 5-yard fade, a 10-yard fade, a straight shot, etc., each one requires you to have your impact conditions just so. There's nothing special about a straight shot where it requires some sort of magic that a 5-yard fade does not. It's just different.
So to that point, if you want an "inline" pattern your swing path at impact is going to be slightly in-to-out via D-Plane and to produce anything else would require shifting the baseline. So there's nothing "wrong" with a straight shot, it's just that it reacquires a teeny bit more manipulation than a draw.
Is that reasoning correct?