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    • Yeah Sedge is so much fun. I shot a 77(Par 68) out there, and then shot a 77(par 73) the next day at Mammoth. I should have shot a 75 at Mammoth but somehow took a double on 17 after my drive left me 100 yards from the green. Sedge is a decent challenge. Mammoth is too easy, but still pretty. My buddy is a 25 handicap roughly so that is why we played there. 
    • As far as memberships go in this area, it is very reasonable for a course of this caliber(in the sense in which it is taken care of and visually I mean). It forces my concentration the entire round, and makes most other courses I play seem fairly easy.    It really isn't crazy target oriented from the tips as well but definitely feels that way at first. I hate playing from the blue tees because it takes driver mostly out of my hand. White tees as I have played with my Dad are very fun because I can go for quite a few greens.    Funny you mention that about SV, I have been considering reaching out to others here about that.  I have to play The Lido though so that means a stay on property is required.  I've mentioned it to a couple people, but I am game to get serious about that at some point. 
    • I mean, if you weight the pros and cons, I can see it. I am not a fan of memberships in general, because I like to play different golf courses, and I would feel inclined to validate the cost of the membership by playing at one course.  When are we all going back up to Sand Valley 😛 Kind-of joking 😉
    • A much better use of the free Decibel Meter is to see how loud your amps are when you crank them and rock out!!! I try to keep it below 90dB (emphasis on ‘try’ 😉). I think there are too many other variables to consider using sound. You would have to set up a designed experiment with randomized runs and block variables to really see if it’s worth the effect. I can see the following variables in addition to the normal swing speed variables: Temperature, Humidity, wind speed, time (as in how long the experiment has been running), repetitions, angle and elevation of the meter, elevation of the ball and club above the ground, ground surface roughness and reflectivity, distance to surrounding objects like walls and ceilings. This does not include the variable in sound of different club head materials and designs.
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