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Posted

Quote:

Originally Posted by nevets88

Quote:

Originally Posted by RandallT

A bit viral now, but if you haven't seen PostModern Jukebox, they're doing some pretty cool takes on various hits from different eras, transforming them into all kinds of classic styles:

All About that Bass (3-piece jazz style)

Nice @RandallT. This escaped my radar. On first watch of Kate Davis. I thought, who is this woman? She's gonna be a star. Then I looked her up and her career is starting to take off. I love that she's a double bassist.

Agreed. I was floored by her, so I've watched stuff on her channel. The pianist seems to be the driver behind the PMJ thing, and he brings in different talent for each song. They do some really incredible stuff. They do a cover of "Talk Dirty to Me" where they translate the rap to Yiddish! That song always reminded me of a Yiddish style. I think they do Blurred Lines as a hoedown style. Lol. Interesting interpretations with talented musicians and singers guest-starring in different ones.

Her voice. I hear Billie Holiday, Nina Simone, a bit of Aretha Franklin. I can't find he cover of Radiohead's Creep, but she did one.

Steve

Kill slow play. Allow walking. Reduce ineffective golf instruction. Use environmentally friendly course maintenance.

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Posted

Whoops, Creep cover is someone else:

Steve

Kill slow play. Allow walking. Reduce ineffective golf instruction. Use environmentally friendly course maintenance.

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Posted

Steve

Kill slow play. Allow walking. Reduce ineffective golf instruction. Use environmentally friendly course maintenance.

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Posted

Eva Cassidy covering Cyndi Lauper

Steve

Kill slow play. Allow walking. Reduce ineffective golf instruction. Use environmentally friendly course maintenance.

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Posted

Currently listening to:

See you on the other side - Ozzy Osbourne.

Regards,

Mark

Currently in the bag

Driver: TaylorMade SLDR S 10* --- Fairway: Cobra BioCell 3 and 5 Metal --- Hybrid: Nike VR 3 Hybrid
Irons: Ping i20 (4-5) , S56 (6-PW) --- Wedges: Ping Tour Gorge 52* & 56* SS --- Putter: Nike Method 004 --- Ball: Nike 20 Xi

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Hallowed Be Thy Name - Iron Maiden

-Jerry

Driver: Titleist 913 D3 (9.5 degree) – Aldila RIP 60-2.9-Stiff; Callaway Mini-Driver Kura Kage 60g shaft - 12 degree Hybrids: Callway X2 Hot Pro - 16 degree & 23 degree – Pro-Shaft; Callway X2 Hot – 5H & 6H Irons: Titleist 714 AP2 7 thru AW with S300 Dynamic Gold Wedges: Titleist Vokey GW (54 degree), Callaway MackDaddy PM Grind SW (58 degree) Putter: Ping Cadence TR Ketsch Heavy Balls: Titleist Pro V1x & Snell MyTourBall

"Golf is the closest game to the game we call life. You get bad breaks from good shots; you get good breaks from bad shots but you have to play the ball where it lies."- Bobby Jones

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Wolfie! That's WAM, Wolfgang Amadeus Mozart, a bit of his Requiem. I think it'll be used in an upcoming European Tour commercial.

16 million hits. Nice to see such sublime music appreciated.

Steve

Kill slow play. Allow walking. Reduce ineffective golf instruction. Use environmentally friendly course maintenance.

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Posted

House of Cards OST, composed for string quartet:

Steve

Kill slow play. Allow walking. Reduce ineffective golf instruction. Use environmentally friendly course maintenance.

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Posted

3 Doors Down...Kriptonite  with lyrics

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Lady Gaga made me thing of this piece, My Favorite Things. Now as you read along with the music, it looks not hard, but you have to have the golf skill level equivalent of a plus handicap to pull this off. Some of the sections - like hitting a 325+ yard drive. It sounds like there are two pianos going at once.

Steve

Kill slow play. Allow walking. Reduce ineffective golf instruction. Use environmentally friendly course maintenance.

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Posted
Lady Gaga made me thing of this piece, My Favorite Things. Now as you read along with the music, it looks not hard, but you have to have the golf skill level equivalent of a plus handicap to pull this off. Some of the sections - like hitting a 325+ yard drive. It sounds like there are two pianos going at once.

Hey @nevets88 ever heard of Zez Confrey? I read one time he was a huge star in his day but has been mostly forgotten. I got a CD of his for Xmas years ago. Incredible piano work. Kinda ragtime/jazz/standards style. I may go give a listen as it's it's been a while. One song Dizzy Fingers was to show amazing speed, as I recall. Fun upbeat stuff mostly

My Swing


Driver: :ping: G30, Irons: :tmade: Burner 2.0, Putter: :cleveland:, Balls: :snell:

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Posted

Quote:

Originally Posted by nevets88

Lady Gaga made me thing of this piece, My Favorite Things. Now as you read along with the music, it looks not hard, but you have to have the golf skill level equivalent of a plus handicap to pull this off. Some of the sections - like hitting a 325+ yard drive. It sounds like there are two pianos going at once.

Hey @nevets88 ever heard of Zez Confrey? I read one time he was a huge star in his day but has been mostly forgotten. I got a CD of his for Xmas years ago. Incredible piano work. Kinda ragtime/jazz/standards style. I may go give a listen as it's it's been a while. One song Dizzy Fingers was to show amazing speed, as I recall. Fun upbeat stuff mostly

No, that's a fun piece. Will check out his other pieces.

This is also fun, very Scott Joplin.

Steve

Kill slow play. Allow walking. Reduce ineffective golf instruction. Use environmentally friendly course maintenance.

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Posted

Quote:

Originally Posted by RandallT

Quote:

Originally Posted by nevets88

Lady Gaga made me thing of this piece, My Favorite Things. Now as you read along with the music, it looks not hard, but you have to have the golf skill level equivalent of a plus handicap to pull this off. Some of the sections - like hitting a 325+ yard drive. It sounds like there are two pianos going at once.

Hey @nevets88 ever heard of Zez Confrey? I read one time he was a huge star in his day but has been mostly forgotten. I got a CD of his for Xmas years ago. Incredible piano work. Kinda ragtime/jazz/standards style. I may go give a listen as it's it's been a while. One song Dizzy Fingers was to show amazing speed, as I recall. Fun upbeat stuff mostly

No, that's a fun piece. Will check out his other pieces.

This is also fun, very Scott Joplin.


Thanks for the embeds! I was at doc office and couldn't bring myself to search and embed here. Easier on the computer.

Edward Elzear "Zez" Confrey was born in Peru, IL, and began to play piano at the tender age of four.

Upon discharge from the Navy, Zez Confrey joined the QRS piano-roll company as a pianist and roll editor. Confrey would make nearly 200 piano rolls during his lifetime, mostly editing them himself. Zez Confrey was regarded as one of the sharpest roll editors in the business, especially when it came to his own compositions. One of his first QRS rolls was an original number entitled "My Pet," and with this work Zez Confrey single-handedly ushered in the field of novelty ragtime, a style that took on structural features of French Impressionism and did not suffer amateur pianists gladly (although they were nonetheless welcome to try!). In 1921, Confrey scored a huge hit with "Kitten on the Keys," which sold over a million sheet-music copies and made Zez Confrey a household name in popular music;

Over time, "Kitten on the Keys" would become the third most-frequently recorded rag in history, after Scott Joplin's "Maple Leaf Rag" and "Twelfth Street Rag" by Euday Bowman.

Also in 1921, Confrey began to make phonograph records, and by 1932 had appeared on records made for Edison, Emerson, Brunswick, Victor, and HMV. In the case of the last three concerns, Confrey was backed by a pickup orchestra, usually led by Walter "Gus" Haenschen or Nathaniel Shilkret. Confrey didn't take making recordings nearly as seriously as he did making rolls and publishing sheet music -- in one case it is known that pianist Phil Ohman sat in for Confrey on one of the records by "his" orchestra.

On February 12, 1924, Zez Confrey appeared as a soloist, billed above George Gershwin, in a few numbers at the historic Experiment in Modern Music concert at Aeolian Hall, where Gershwin's "Rhapsody in Blue" was premiered. Later that year Confrey moved from QRS to the Aeolian company, but by the late '20s, Confrey's roll-editing output began to slow down. He continued to compose and publish music until his retirement after World War II. Zez Confrey's extensive output ultimately contained many character pieces for piano, pop songs, mini-operas, and teaching pieces. Afterwards, Confrey's celebrity faded, and in the end he succumbed to Parkinson's disease at the age of 76.

Despite the variety of works Zez Confrey undertook, it is as the "King of Novelty Ragtime" that his reputation is made. In addition to "Kitten on the Keys," Confrey is also known for the popular song "Stumbling" (1921) and pieces such as "You Tell 'Em Ivories" (1921), "Coaxing the Piano" (1922), "Dizzy Fingers" (1923), and "Nickel in the Slot" (1923). These are all considered classics of the novelty ragtime genre, and a few have even become standards within instrumental jazz and pop literature as well. Zez Confrey wrote his last novelty rag, "Giddy Ditty," in 1935.

My Swing


Driver: :ping: G30, Irons: :tmade: Burner 2.0, Putter: :cleveland:, Balls: :snell:

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Posted

Quote:

Originally Posted by RandallT

Quote:

Originally Posted by nevets88

Lady Gaga made me thing of this piece, My Favorite Things. Now as you read along with the music, it looks not hard, but you have to have the golf skill level equivalent of a plus handicap to pull this off. Some of the sections - like hitting a 325+ yard drive. It sounds like there are two pianos going at once.

Hey @nevets88 ever heard of Zez Confrey? I read one time he was a huge star in his day but has been mostly forgotten. I got a CD of his for Xmas years ago. Incredible piano work. Kinda ragtime/jazz/standards style. I may go give a listen as it's it's been a while. One song Dizzy Fingers was to show amazing speed, as I recall. Fun upbeat stuff mostly

No, that's a fun piece. Will check out his other pieces.

This is also fun, very Scott Joplin.

This was my favorite from my CD. That guy you found is amazing. I am starting the video about 27 seconds into it, and the next section has the coolest riff. His right hand is playing kinda two things at once. His rightmost fingers doing some Sponge-Bob squarepants thing in the highest registers. His thumb and forefinger doing a melody slightly lower. Then his left hand going nuts down low. Fun stuff.

My Swing


Driver: :ping: G30, Irons: :tmade: Burner 2.0, Putter: :cleveland:, Balls: :snell:

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  • Moderator
Posted
[QUOTE name="nevets88" url="/t/10793/what-are-you-listening-to/2178#post_1111619"]   [QUOTE name="RandallT" url="/t/10793/what-are-you-listening-to/2160_40#post_1111610"]   [QUOTE name="nevets88" url="/t/10793/what-are-you-listening-to/2190#post_1110498"] Lady Gaga made me thing of this piece, My Favorite Things. Now as you read along with the music, it looks not hard, but you have to have the golf skill level equivalent of a plus handicap to pull this off. Some of the sections - like hitting a 325+ yard drive. It sounds like there are two pianos going at once.  [/QUOTE] Hey [@=/u/2024/nevets88]@nevets88[/@] ever heard of Zez Confrey? I read one time he was a huge star in his day but has been mostly forgotten. I got a CD of his for Xmas years ago. Incredible piano work. Kinda ragtime/jazz/standards style. I may go give a listen as it's it's been a while. One song Dizzy Fingers was to show amazing speed, as I recall. Fun upbeat stuff mostly[/QUOTE] No, that's a fun piece. Will check out his other pieces. This is also fun, very Scott Joplin. [/QUOTE] This was my favorite from my CD. That guy you found is amazing. I am starting the video about 27 seconds into it, and the next section has the coolest riff. His right hand is playing kinda two things at once. His rightmost fingers doing some Sponge-Bob squarepants thing in the highest registers. His thumb and forefinger doing a melody slightly lower. Then his left hand going nuts down low. Fun stuff.

Glad you enjoyed it @RandallT , I listened to a lot of Kate Davis after you posted her.

Steve

Kill slow play. Allow walking. Reduce ineffective golf instruction. Use environmentally friendly course maintenance.

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    • Day 41, June 14.  I spent 10 minutes, half hitting W half hitting 6-iron, practice shots (indoors, off a mat, into a net)
    • Day 620 - 2026-06-14 Got some work in before and after lessons. Definitely didn't adduct my arms 130° in doing so.
    • Day 79: played 18. Shot a +5 76. Iron play was much better - 11 GIR. Hit a drive 380. Normal day. 
    • Day 14 (14 Jun 26) - Continued work with irons (8i-Pw), hard foam balls and getting consistent impact - same as previous drills - using gates for 1/2 and “simulated” course conditions on the second half.  
    • I like discussing the golf swing. Whether you call it "swing theory" or what, I like to talk about things that can expand the potential for what I know and understand. As a scientist, I like being shown that I'm wrong, too, because as I've said a bunch of times… "you're wrong and here's why" is an instant opportunity to upgrade my knowledge. I also like to help golfers, and one of the things I'm most glad to have moved away from from 15 years ago was the "Hands In" idea from S&T. Jim Waldron is often credited (probably rightly so) with explaining why so many Tour players and good players talk about "keeping their hands in front of themselves" while it appears that they're moving their arms around their bodies. From over 30 years ago: I've also got videos like… this (Instagram link here😞 I'm happy to say that I've become friends with Shaun and Mike at Athletic Motion Golf (AMG), too. I tend to get along with other smart folks who measure things, who look critically at information, who don't assume that what they thought 20 years ago holds true today. I get along with folks who look for chances to instantly upgrade their knowledge. Andy Plummer remains one of the people who does not look for these opportunities. He didn't care in early 2013 when we had evidence that the information in their S&T 2.0 DVDs was bogus, and they seemingly don't care now. They've been attacking (it's their favorite pastime) AMG in particular for the better part of a year now. There have been a few shots back at them from AMG (like… this), no doubt. But as is typical of the AMG fellas, it's with measured data. Well, recently, Andy took yet another shot at AMG: https://www.instagram.com/p/DZfHe0DuPXC/. Andy demonstrates that true power in the golf swing comes from doing stuff like this: Andy claims that the idea that the arms mostly lift and lower, while the body turns, is bogus. What golfers should be doing is using "angular velocity" to abduct and adduct their shoulders to move the club fast like this (above). Then he makes a ridiculous example of what AMG supposedly teaches, but misses by a mile. Now, it doesn't take a biomechanist to know that you can't possibly swing as Andy demonstrates. His right arm is so far around and behind him that his left arm would have to grow several feet to reach the grip of the club (or alignment stick), and a follow-through with the right arm position like that would be absolutely silly. But, it's a demonstration, so let's not read too much into it. However, I find ideas like this dangerous. Again, I like to help golfers, and in my opinion, the idea that you should abduct and adduct your arms a lot is a dangerous one. There's some adduction and abduction going on, but… it's not much. Anyway, this statement was posted: 130 degrees of dynamic range of horizontal abduction and adduction is quite the claim! I posted some comments to Andy and others, and was issued a challenge: Well, okay then. Here's Bryson's lead shoulder adduction: This measures the angle between the "virtual spine," the left shoulder, and the elbow. Bryson has a 97.34° "adduction angle" at P1, a 62.53° angle at P4, and returns to an 89.21° angle at impact. Rounding, that's a change of 34° from address to the top, and then a change (back toward the angle at address) of about 26° from the top to impact. If we want to worry about only horizontal abduction and adduction (where D = adduction and B = abduction): Left shoulder: 8.33° D, 38.74° D, 14.67° D Right shoulder: 1.03° D, 55.75° B, 14.04° B If we call moving the arms farther around you as negative, those are changes of -30.41° from P1 to P4 for the left shoulder and +24.07° from P4 to P7 for the left shoulder and -56.78° and +41.71° for the right shoulder. I have no idea on earth where he gets 130°. From the last frame of Bryson's swing where he's at 126.98°? But the lowest that number gets is 62.53°, for a range of 64.45, or less than half of the 130° claimed (plus it includes part of the swing, post-impact, that has no bearing on what the ball does). For good measure, another pretty good player: Left: 22.55° D ➡️ 33.35° D (∆ 10.8°) ➡️ 17.36° D (∆ 15.99° from P4, 5.19° from P1) Right: 15.03° D ➡️ 24.29° B (∆ 39.32°) ➡️ 1.93° D (∆ 26.22° from P4, 13.1° from P1) Of the biomechanists and experienced 3D users (on any platform), none of them have seen anything like 130° of dynamic adduction/abduction from a good player P1 to P7. And, like my little joke above, even if you go to the end of the swing, you rarely get much more than a little over halfway there. Maybe Andy is adding them? He does say in the video "and then add it to that with the lead arm." (I think that's what he says, but this isn't an additive type system.) I regularly coach golfers out of positions with a lot of adduction and abduction. I regularly work golfers away from moving their arms around their bodies. Even my juniors (the ones who have paid attention anyway! 🤣) can recite "arms = up/down, body = around." Like this: So, I don't know where this leaves us. Andy claims to have seen something on GEARS that shows 130° of dynamic adduction/abduction. I'm open to being wrong, but… I don't think I am here on this one. And, until that comes to be, I will continue to stand up for what I think is the best information, and do my best to work with golfers toward simpler, easier moves that don't get them stuck. Simpler, easier moves like the moves Tour players and great players tend to make, not complicated, difficult moves. Shaun and Mike said it in a video once where they demonstrated that the average Tour player adducts their lead arm 20° across their chest from the top to impact (P4 to P7), while the amateur often tries to go 40°. They said something like "the amateur is trying to move their arm TWICE the distance in the same amount of time as the professional athlete." Yep. The swings of great players are often easier and simpler. They are not abducting and adducting their arms much in comparison to average golfers. As a smart man once said: "Why would you teach something (abduction in this case) that bad golfers already do?" On a related note… the S&T crowd continues to be… well, who they've been as long as I've known them. Take this comment for example: I mean… I would think that this is pretty self-explanatory, but then again… I didn't think it needed explaining to begin with. P.S. As I was finishing up this article, another biomechanist replied with something so simple I hadn't even thought of it as I had immediately jumped into looking at the actual measurements: "90 doesn’t even seem physically possible.“ No, sir. It doesn't.
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