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You've regressed.

:cry::whistle:

Erik J. Barzeski —  I knock a ball. It goes in a gopher hole. 🏌🏼‍♂️
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Very nice! It is amazing how naturally things come at that age. Love the socks!

Nate

:tmade:(10.5) :pxg:(4W & 7W) MIURA(3-PW) :mizuno:(50/54/60) 

 

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You've regressed. :cry: :whistle:

LMAO. That was my first thought too, gee I bet @Golfingdad wishes he could hit that position now. Less brain, more body!!!

Yours in earnest, Jason.
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Very nice! It is amazing how naturally things come at that age. Love the socks!

No kidding:

Hidden in a spoiler since it's not really on topic.

Erik J. Barzeski —  I knock a ball. It goes in a gopher hole. 🏌🏼‍♂️
Director of Instruction Golf Evolution • Owner, The Sand Trap .com • AuthorLowest Score Wins
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No kidding: [SPOILER=Warning: Spoiler!] [URL=http://thesandtrap.com/content/type/61/id/86143/] [/URL] Hidden in a spoiler since it's not really on topic. [/SPOILER]

Geez, it only took me 33 years to find an impact position half that good. BTW, I hope you have a great birthday GD!

Nate

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Yep that A5.5 is awesome.  Then you played too much baseball! :-$

Hope you have a great birthday, sorry I couldn't make it, up in the Bay Area.

Mike McLoughlin

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  • 2 months later...

Here is the latest video I sent in to Evolvr ...

During this session I'm working on trying to get my legs straighter at impact.  I don't have a particularly good feel for this yet (as you can see by the awkward end of my rehearsals) but I've got a little more direction from @sk golf on the last lesson.  "It's an athletic move ... might feel like I'm jumping."  I know what it looks like when others do it - Tiger Woods for one, Lexi Thompson as well - but I haven't translated it yet to something I can understand.

Anywho's ... on this last lesson he also added another piece:  The exact same thing @Ernest Jones is working on, shallowing out the shaft from A4-A5-A6.  You can see in DTL that as soon as I start the downswing, the shaft angle gets steep and points well inside the golf ball.  Using some of the feels @iacas suggested for Ernest today, I went out to the range and had a pretty good time.

A lot of rehearsals in slow motion, a few poses at A4-A6 with an alignment stick coming out the butt end of my shaft so I can see where I'm pointing, and in between I hit a few balls.  The feel that seemed to work the best was feeling like my left wrist was rotating clockwise as I was starting the downswing.  I don't know the terminology yet ... is that "palmar flexion?"  I don't know ... anyways, I know that move is OK because James had suggested it in a past lesson.

Also, combine this with the fact that I'm working on a slightly weaker grip to eliminate any overdraws, and I've got my work cut out for me!!

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  • Moderator

Looking good, A4 is solid!

A lot of rehearsals in slow motion, a few poses at A4-A6 with an alignment stick coming out the butt end of my shaft so I can see where I'm pointing, and in between I hit a few balls.  The feel that seemed to work the best was feeling like my left wrist was rotating clockwise as I was starting the downswing.  I don't know the terminology yet ... is that "palmar flexion?"  I don't know ... anyways, I know that move is OK because James had suggested it in a past lesson.

Palmar flexion

Mike McLoughlin

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Looking good, A4 is solid! Palmar flexion [URL=http://thesandtrap.com/content/type/61/id/89730/] [/URL]

Thanks! Stephan said the same thing ... It's the best I've looked yet at A4. It's very encouraging to hear! And thanks for the DJ pic ... That is exactly what I'm trying to feel, just not quite that extreme. :). And palmar flexion sounds a lot fancier than "trying to rev the motorcycle engine." ;)

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Here is the latest video I sent in to Evolvr ...

During this session I'm working on trying to get my legs straighter at impact.  I don't have a particularly good feel for this yet (as you can see by the awkward end of my rehearsals) but I've got a little more direction from @sk golf on the last lesson.  "It's an athletic move ... might feel like I'm jumping."  I know what it looks like when others do it - Tiger Woods for one, Lexi Thompson as well - but I haven't translated it yet to something I can understand.

This is where I finally was able to get this picture on the right.  I really like this move, it is athletic, but it also feels almost violent/powerful.  It has to be, because it pretty much happens from A5.5 or so to A7.  I can't image how Tiger did it for so long with flaring that left foot out.  Hurts my knee just thinking about it.  I sometimes like to feel this from A5.5-A7.  I just hold the club at about A5.5 and then fire the hips/legs, when I do it right the club head has no choice but to throw itself towards impact. You can see how using this feel like "jumping" or whatever it is for you to be correct adds so much speed to the swing, and shallows out the AOA at the same time.  This is a great move.   I tried to get this for a long time by feeling the pushing into the ground with the left leg, or squashing something under the left foot.  All that I would do is squat into the downswing lowering my center and head and I am not fast or strong enough to get out of that quickly enough and hit a lot of fat shots.  So just keep trying different feels, it will come.

Anywho's ... on this last lesson he also added another piece:  The exact same thing @Ernest Jones is working on, shallowing out the shaft from A4-A5-A6.  You can see in DTL that as soon as I start the downswing, the shaft angle gets steep and points well inside the golf ball.  Using some of the feels @iacas suggested for Ernest today, I went out to the range and had a pretty good time.

A lot of rehearsals in slow motion, a few poses at A4-A6 with an alignment stick coming out the butt end of my shaft so I can see where I'm pointing, and in between I hit a few balls.  The feel that seemed to work the best was feeling like my left wrist was rotating clockwise as I was starting the downswing.  I don't know the terminology yet ... is that "palmar flexion?"  I don't know ... anyways, I know that move is OK because James had suggested it in a past lesson.

Also, combine this with the fact that I'm working on a slightly weaker grip to eliminate any overdraws, and I've got my work cut out for me!!

Very nice changes with this well done.   That is great stuff!  Keep at it.  I really like your A4 in this as well.

Nate

:tmade:(10.5) :pxg:(4W & 7W) MIURA(3-PW) :mizuno:(50/54/60) 

 

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This is where I finally was able to get this picture on the right.  I really like this move, it is athletic, but it also feels almost violent/powerful.  It has to be, because it pretty much happens from A5.5 or so to A7.  I can't image how Tiger did it for so long with flaring that left foot out.  Hurts my knee just thinking about it.  I sometimes like to feel this from A5.5-A7.  I just hold the club at about A5.5 and then fire the hips/legs, when I do it right the club head has no choice but to throw itself towards impact. You can see how using this feel like "jumping" or whatever it is for you to be correct adds so much speed to the swing, and shallows out the AOA at the same time.  This is a great move.   I tried to get this for a long time by feeling the pushing into the ground with the left leg, or squashing something under the left foot.  All that I would do is squat into the downswing lowering my center and head and I am not fast or strong enough to get out of that quickly enough and hit a lot of fat shots.  So just keep trying different feels, it will come.

Very nice changes with this well done.   That is great stuff!  Keep at it.  I really like your A4 in this as well.

Thanks Nathan!!  Sometimes just hearing people describe their issues gives you ideas.  Your first bold sentence reminded me of this old video on Shawn's swing thread.  I think this drill would be a good place for me to start trying to isolate that "jumping" feel (skip to 1:01):

And then your other bold sentence reminded me of a video that Mike made a long time ago (I thought it was also from Beach's swing thread but couldn't find it) where he was talking about something similar.  I can picture it ... he's standing in a parking lot squishing bugs and taking partial swings. ;)

Anyways, I'll be trying these feels out soon.  Thanks!!

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Anyways, I'll be trying these feels out soon.  Thanks!!

Good luck, it is a great one when you find that feel that clicks for it!

Nate

:tmade:(10.5) :pxg:(4W & 7W) MIURA(3-PW) :mizuno:(50/54/60) 

 

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Quote:

Originally Posted by cipher

This is where I finally was able to get this picture on the right.  I really like this move, it is athletic, but it also feels almost violent/powerful.  It has to be, because it pretty much happens from A5.5 or so to A7.  I can't image how Tiger did it for so long with flaring that left foot out.  Hurts my knee just thinking about it.  I sometimes like to feel this from A5.5-A7.  I just hold the club at about A5.5 and then fire the hips/legs, when I do it right the club head has no choice but to throw itself towards impact. You can see how using this feel like "jumping" or whatever it is for you to be correct adds so much speed to the swing, and shallows out the AOA at the same time.  This is a great move.   I tried to get this for a long time by feeling the pushing into the ground with the left leg, or squashing something under the left foot.  All that I would do is squat into the downswing lowering my center and head and I am not fast or strong enough to get out of that quickly enough and hit a lot of fat shots.  So just keep trying different feels, it will come.

Very nice changes with this well done.   That is great stuff!  Keep at it.  I really like your A4 in this as well.

Thanks Nathan!!  Sometimes just hearing people describe their issues gives you ideas.  Your first bold sentence reminded me of this old video on Shawn's swing thread.  I think this drill would be a good place for me to start trying to isolate that "jumping" feel (skip to 1:01):

And then your other bold sentence reminded me of a video that Mike made a long time ago (I thought it was also from Beach's swing thread but couldn't find it) where he was talking about something similar.  I can picture it ... he's standing in a parking lot squishing bugs and taking partial swings. ;)

Anyways, I'll be trying these feels out soon.  Thanks!!


Dana's voice is the sound of improvement. :-)

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@Golfingdad A4 is looking good.  Next time send in a little 80 yard 7 iron working on laying the club down with the "jumping" sensation. Keep it up!

Stephan Kostelecky

Golf Instructor

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Here is the unedited video of my first attempt at this little half-swing "jumping" drill.  With a 7 iron, and including one full swing at the end for kicks ...

And here are a couple of PW's at the end of this practice session.  It sort of felt David Duval-y or Annika-y to me, in that in my "jumping" I seemed to want to look up.  I hit these both really well too, by the way.

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  • Administrator

Here is the unedited video of my first attempt at this little half-swing "jumping" drill.  With a 7 iron, and including one full swing at the end for kicks ...

Can you squat more before the jumping? It's tough to jump when you don't have much knee flex. Some people can't jump a bunch (almost nobody can do Tiger level jumps… including sometimes Tiger when he fats his 3W sometimes), but I think you can do a bit more.

Erik J. Barzeski —  I knock a ball. It goes in a gopher hole. 🏌🏼‍♂️
Director of Instruction Golf Evolution • Owner, The Sand Trap .com • AuthorLowest Score Wins
Golf Digest "Best Young Teachers in America" 2016-17 & "Best in State" 2017-20 • WNY Section PGA Teacher of the Year 2019 :edel: :true_linkswear:

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Can you squat more before the jumping? It's tough to jump when you don't have much knee flex. Some people can't jump a bunch (almost nobody can do Tiger level jumps… including sometimes Tiger when he fats his 3W sometimes), but I think you can do a bit more.

Sure, I don't see why not.  I'll give it a try next time out.  Thanks!

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  • Posts

    • I'm not an "official" instructor but I've been helping people for a few years now. I find that most beginners never get taught a proper concept of how the swing works. I also find that most people need a better understanding of what the arms and hands do before even working on the grip or the rest of the body. This is because what your concept of how the arms work through the downswing will dictate how strong or weak your grip must be. And if your arms work correctly then you can get away with a lot of variation in the lower body and still hit the ball decently. This will be long by the way... now...I get technical because...well...if you're writing it, you have to make it understandable. So let's understand the swing structure of the left or lead arm. The clubhead is controlled by the left hand, the left hand is controlled by the left wrist which is made up of the two bones of the forearm; the ulna closest to the pinky finger and the radius closest to the thumb. The forearm is attached to but can work independently of the humorous or upper arm which ends at the shoulder joint. That's the structure you are working with. Now how each section of that structure can work in different ways so let's talk about them starting at the upper arm. You may have heard people use the term "external shoulder rotation." It's usually used in reference to the right arm but that's okay you need to understand it in the left arm as well. First off...that's not a correct term. The shoulder is a complex structure of three bones; the clavicle in the upper chest/neck area, the scapula or shoulder blade that glides across the back and the end of the humorous bone that is the upper arm. So when you hear that term what they really are saying is "external rotation of the humerus." A simple way to understand this is to think about arm wrestling. If you are arm wresting someone with your elbow on a table you are trying to force your opponents arm into external rotation while your upper arm would be internally rotating. If you are losing the wrestling match you will find that while your elbow stays in place, your forearm and hand will be pushed back behind the elbow as your humerus externally rotates. So in the golf swing we don't want to be the winner of the arm wrestling match... at any point in time! Both upper arms need to externally rotate. The right upper arm externally rotates in the backswing and stays in that position through impact or for some people just before but very close to impact. The left arm must externally rotate in the downswing from impact through the finish. Some people choose to set-up with both upper arms externally rotated...think elbows pointed at the hips or biceps up. Others will start with just the right arm in this position...some people describe it as the "giving blood" position. Others start with both elbows internally rotated...biceps facing inward toward each other. You can set-up whichever way feels best to you but in your backswing and downswing the upper arms MUST externally rotate. Now back to the left arm...with which you should try to control the swing...and the forearm. The forearm is where most people get in trouble because it can rotate left or right no matter which orientation your upper arm is in...try it...it's just how the forearm is structured to work. And this is where you MUST make the decision as to how you want the forearms to work in order to choose how strong or weak your grip must be. Ben Hogan in his book 5 Lessons uses the terms supination and pronation. To illustrate it simply grab a club in your left hand and hold it out in front of you. Rotate your forearm to where your knuckles point to the sky (this is pronation) and then rotate your forearm the other way so that your knuckles point to the ground (this is supination). When your lead forearm is in pronation (knuckles up) the ulna will be on the left side of the radius. In supination (knuckles down the ulna rotates under the radius and the radius is now on the left side of the ulna. Very important that you relate this to the position of the ulna. At the top of the backswing you should be in a position where you feel that the knuckles of the left hand are pointed to the sky. As you rotate your body open and your chest pulls your arms down and into impact you will need to be aware that your ulna stays on the left side of the radius as long as possible. This is the position instructors are trying to have you achieve by pulling the butt of the club into an invisible wall past your left leg while maintaining the 90 degree angle formed by the shaft and your forearm. You've probably seen or heard of that drill as we all have over the years. Now here is the IMPORTANT part that no one seems to ever speak of...what happens from there!?! From that position...ulna on the left side of the radius, shaft and the forearm at a 90 degree angle, hands directly over the ball...you have two choices. 1) You can keep the ulna traveling toward the target on the left side of the radius and only release (unhinge) the wrists to lower the clubhead down into the ball or 2) while you unhinge your left wrist you can rotate your left forearm from the pronated position (knuckles up) to the supinated position (knuckles down) and let the ulna rotate under and eventually to the right side of the radius. If you choose to release the club with method 1 you will need a strong grip. The clubface will stay stable and square to the target throughout the swing but you probably will lose distance and have a very spinny ball flight. If you choose to release the club with method 2 you will probably require a much weaker grip as the clubhead will be less stable as it closes down coming into impact. This method requires more timing but results in more power through impact and usually more distance. You may also hook the ball if you start with too strong of a grip or a closed clubface at address. Method 2 is what most pros use but not all. Method 1 is what causes most people to hit weak, spinny slices and requires an unusually strong grip because with method 1 the left forearm has a tendency to open more coming into impact where the ulna stays in front of the radius too long.    Here's the catch...you need to learn both releases. Release 1 is how you want to use your wedges when you want to make sure the bounce interacts with the turf or if you need to hit a cut from left to right around a tree. You'll get more height and more spin with release 1. Release 2 will let the leading edge tear through the turf taking a nice crisp divot and can be used to hook a ball from right to left. Congratulations to anyone that read through all of this! I believe that once your brain understands precisely how it needs to control the different parts of your body it can do it repetitively on command. Your swing will repeat and not fall apart from day to day. Learn how you want to use your forearms and you can choose your grip and clubface position at address. Either method will work and both methods are used by the best players in the world for different shots.
    • Day 330 - Mostly just partial swings today, so I could really focus on exaggerating my hips towards the target in my finish. 
    • Day 72 - 2024-12-11 /sees a picture of Chet after shaving with a saw, goes back to doing a little mirror work at AMG.
    • Day 147: more mirror work. Trying to hone in the backswing stuff real nice. 
    • If I was going to try to help someone fix a low snap hook without actually seeing their swing I would have to tell them to break down the problem into pieces. See if you can fix the "low" part of the problem first. A low ball flight tells me you are probably swinging level or hitting down on the ball instead of hitting up on it. Try teeing the ball higher than you are comfortable and put the ball up in your stance a little further up than comfortable...try putting it off your left heal or even the left toe. Try to feel like your club head is swinging up through impact. Try that first and see if it gets you to a high snap hook or a high pull hook.    If you want to address the hook part of the swing you are going to have to look at two areas of the swing as well as your concept of what the arms and hands do through impact. I love talking through this stuff with people but I'll only go into it further if you really want to go down that rabbit hole...you would have to say so. Swing well my friend!
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